The Re-Watch Pile: Puella Magi Madoka Magica (2011)

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Every time I watch Puella Magi Madoka Magica it reverberates through me for days. It sticks to me aesthetically, thematically and emotionally and refuses to let go. It’s often noted that Madoka is a “dark” series, and in many ways that’s true. It’s filled with loss and tragedy and a hint of existential dread. It acknowledges and understands the struggle of humanity in a troubled world that can’t begin to value all our sacrifices, contained in a universe where the way we think and feel is utterly miniscule. And yet it’s ultimately a tale of hope.

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Quick Reviews – Pokémon Origins

Pokémon Origins is a refreshing slightly grittier take on the Pokémon world, that much is true. Its battles are slightly more violent than the main anime series, its character designs and voice acting are more grounded and mature and generally it fulfils my childhood desire to see a more serious anime about an actual Pokémon game. So for all of that I think this is a pretty cool thing. But on the whole Pokémon Origins is more or less just a serviceable slice of fanservice.

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Funcurve Summer 2016 Anime Roundup

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In the interest of getting enough sleep for Wrestlemania (which begins in the morning in this tragic timezone) I’ve decided to delay today’s article. Instead I figured I would give an update on Funcurve. In light of personal struggles I stopped being able to contribute to the site and eventually moved to just being a guest writer, but before I stopped contributing as an actual writer I did some more articles on the Summer 2016 Anime season. You can find them after the break. Enjoy!

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Evangelion Episode 1 and Framing

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One of the reasons Neon Genesis Evangelion stands as one of anime’s biggest cultural icons is the boldness of its framing and shot composition. Nothing that came before it and very little that came after conveys quite as many things as Evangelion does in the dynamic composition of its space. Most vividly this is seen in the construction of Shinji’s space, cold and distant by default but veering on tense and claustrophobic in moments of conflict. In the first episode of Evangelion alone there’s a lot to pick at in the way Shinji is framed, and we’re going to do just that.

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The Beauty and Sadness of Bojack Horseman’s ‘Fish Out of Water’

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I have no hesitation when saying there has never been a better time to be a fan of western animated television. More things have grown on me, blown my expectations away, touched me and brought me to tears from this medium than ever before. But none with the sheer emotional gravitas of Bojack Horseman. That a sneering pop culture satire built around so many unlikeable individuals could carry this much sincerity and vulnerability itself is a feat well beyond many of its peers, but that it never lets go of that dignified seriousness and takes it into so many dark and extraordinary places is what puts it at the apex of its craft. ‘Fish Out of Water’ is at once one of the most ambitious and most tragic episodes of the series. It’s wonderful, it’s funny, it’s experimental, it’s deeply painful, it’s Bojack Horseman.

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What happened to My Little Pony: Friendship is Magic?

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Let’s talk about My Little Pony: Friendship is Magic. Yes, that My Little Pony: Friendship is Magic. The once revered and controversial show about cartoon horses learning the magic of friendship is still going strong with a seventh season and a feature film on their way later this year, but it seems to have more years behind it than ahead of it at this point. The viewer base and the overall enthusiasm towards the series has seen a significant drop-off, and most notable fandom personalities have moved on to other things (sometimes as in the case of Digibro much bigger things). There’s been a lot of reasons for this, both specific personal reasons and reasons that broadly reflect the current state of the series. Putting aside fandom drama I want to talk about the direction the show has gone in and how that’s sparked disinterest.

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On Representation

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Broadly speaking we tend to see society become a little more open towards different groups over time, and with that comes slowly but surely increasing media representation of them. A cynical way to look at this is that it’s simply because their existence has become profitable, and that’s certainly a very valid way to look at it given the slew of middlebrow oscar bait exploiting historical prejudice and hamfisted tokenism. A more positive way to see it is that media representation gives us a platform to humanise different groups, to become aware of their existence and their validity as individuals. I believe both perspectives can be true at once, and in that sense there needs to be conscious thought about how representation is implemented.

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