Sometimes I find it hard to have faith in the world we’ve left ourselves. In a heartbeat we could lose it all because of the whims of a few people, so how could we trust that our best intentions will prevail? It seems impossible, it defies rationality. But we aren’t always rational. We’re willing to keep pushing on with only a moment of unconditional support and compassion. And when you distil us to our most primal selves you may find that we can be mean and selfish, but you’ll also find the power we have to care. To care for others, to care for our passions, to care for what we have. Girls’ Last Tour believes in the goodness of others.
Let’s talk about slice of life anime. Yes, that slice of life. The one allegedly responsible for the fiery death of the anime industry a few years back. It’s no secret that a lot of anime fans don’t really care for slice of life shows. Heck, some would go so far as to say it’s a genuine threat to Good Creators and their ability to make Good Anime. But what if I actually like these shows? This led me to think more about the reasons why I watch slice of life things, and after some soul searching I realised that I still like my cute stuff. A lot of these shows are a hard sell to anyone who hasn’t already sold their soul to the moe gods, but maybe just maybe there’s something to appreciate.
Miss Kobayashi‘s Dragon Maid is a very silly show, and a very warm show. It’s easy to call things “comfort food” but no other animation studio can craft the endearing low-key stories that Kyoto Animation does. And while Dragon Maid may not have the versatility of K-ON! or A Silent Voice it most certainly has a lot of the heart. It’s like meeting a good friend, a friend who’s fun and trustworthy and always pleasing to be around. It has its quirks and issues but you’re glad you came to know them.
It’s been a good year for platformers. Consistently I’ve been filled with that kinetic joy that only smartly composed platforming can give, that immediate gratification from clearing every little jump and obstacle that builds to a rich rewarding experience. And yet here’s Sonic Forces, which just happens to exist. It breezes past you, not being bluntly agitating like many of its 3D predecessors but not containing any committed attempt at an ambitious hook either. After the clever and effervescent and genuinely cool Sonic Mania earlier this year it’s fair to say I wasn’t the only one hoping that Sonic Team could deliver something special, but thankfully I didn’t set my expectations on that. Sonic Forces is a modern Sonic game. Not one of the best, not one of the worst, just one that exists and takes you through its motions.
Here’s a post I did in early 2015 for my MLP Season 4 retrospective that never got published because why not. I’ve avoided editing because I wanted to keep it authentic to my old writing so it might be iffy, but I still think it’s good stuff. Enjoy!
Pinkie Apple Pie is the second episode in Season 4 to do something completely and utterly world-shaking, except unlike Daring Don’t it understands the weight of its own development and draws the line. Though it is suggested Pinkie is an extremely distant relative to Applejack, it’s never confirmed nor denied by the end of the episode, meaning it avoids both severely tampering with the series canon and existing simply as a narrative device to get a Pinkie Pie and Applejack episode.
EDIT: Please read the article before commenting. If you don’t and I can tell, your comment just won’t be approved. I promise you that your zinger of a rebuttal has almost definitely been addressed here, and you’re absolutely wasting your time sending me walls of text.
Content Warning: Discussions of slurs, as well as discussions of erasure and violence against trans people. Be aware if you find these topics confronting in any way.
Okay, let’s get some things out of the way. I love anime, and I love it for its trashiness. And I think it’s totally cool and okay to like crossdressing characters in anime. But I have… an issue with the word “trap”. The word “trap” has been floating around online for over a decade now, particularly in western anime communities, but it’s especially picked up steam in recent years. It’s often used to refer to crossdressers and transgender people both in media and in real life. And heck, I know trans people who refer to THEMSELVES as “traps”. But even with the intent to reclaim the word it doesn’t sit right with me at all, so let’s talk about it.
NOTE: THERE ISN’T A NEW MY LITTLE PONY SERIES. THIS WAS A HYPOTHETICAL PIECE I WROTE FOR EQUESTRIA DAILY. BUT I THOUGHT IT MADE SOME NICE POINTS ABOUT THE ACTUAL STATE OF THE SERIES IN 2017 AND WAS WORTH MAKING PUBLIC.
Hasbro has announced in an investor call a spin off show of My Little Pony focused around a bat pony named Sweet Velvet and her friends. While set in same world, Velvet’s adventures take place outside the kingdom of Equestria. Hasbro hopes to target boys and girls equally with the show and impending toyline. Only this picture of Sweet Velvet was shared at the time of the call.
My Little Pony: Friendship is Magic was special to me. Still is. For six years it’s been one of my post shameful admissions and yet I see no real reason to be ashamed. I like things gosh darn it. I like sincere things that fill me with joy, I like things that are funny and exciting and genuine and touching, I like things that inspire a little goodness in me. My Little Pony: Friendship is Magic gave that to me at a time when I needed it most, and no matter where it goes it’ll always be special to me for that.
Sadly My Little Pony: The Movie is a little late to the party (insert hackneyed Pinkie Pie joke here). The once booming curiosity of its adult fandom has dwindled in numbers comapred to the default market of incredibly young and impressionable girls, with the presence of young boys and adults and equally enthused parents at my local premiere only being a footnote. And yet My Little Pony: The Movie still manages to ooze with happiness and love. It takes Lauren Faust’s original adventure-driven concept and elevates it to a scale that I only ever dreamed was possible, leaving me more enthused about My Little Pony than I’ve been in a long time.
I used to be an avid defender of sorts for slice of life anime. Now I’m less enamored by most of them but they’re still an easy watch. If Kyoto Animation’s works stand as the peak of the genre then Doga Kobo would be the middle point, generally not hitting the craft or subtlety of a K-ON! but usually being competent at fun character animation and comedic timing. To that end the first season of New Game! is well up to par, a standard slice of life wrapped in a mellow workplace story with a few good laughs and some surprising sincerity.
‘Political correctness’ is an ugly term to a lot of people. To them it represents a threat our ability to speak honestly about challenging things, a silencing of dialogues that can help us become stronger and learn new things, a fear driven act of censorship even. Especially when it comes to comedy, people see it as a threat to creativity itself. But let me offer another idea: political correctness has the power to make comedy not only more creative but actually funnier.
And you know who agrees with me? Bojack Horseman creator Raphael Bob-Waksberg. No kidding, you can read his exact words right here. You know who also agrees with me? Mr. Peanutbutter himself Paul F. Tompkins. So how does a dark gritty comedy like Bojack Horseman manage to be surrounded by such sensitive people? The short answer is that ‘political correctness’ isn’t about not saying things. It’s about questioning how and why you’re saying them. And Bojack Horseman is a stellar show when it comes to self-questioning.