Little Witch Academia: Enchanted Parade, even more so than its predecessor, embodies the sheer fundamental joy of animation. The sincere joy of seeing images come alive, images bound only by the limits of imagination coming into motion. Enchanted Parade is sometimes breezy and whimsical, sometimes awesome, sometimes funny, sometimes intense. But through genuine mastery it makes all those moods look like second nature. It’s Little Witch Academia‘s ongoing love letter to the traditions of animation and so much more.
For a business as manufactured and suspect as the idol industry we sure do see a lot of well-crafted anime surrounding it. Of all the ones I’ve seen I found TheiDOLM@STER to stand above the rest of the pack, bringing together an ensemble of incredibly talented animators to create a work filled with endearing subtlety and tons and tons of engaging vignettes and little narratives. The iDOLM@STER Movie is essentially cut from the same cloth, a continuation of all the little things that made the original series great in an extended feature-length format.
Every time I watch Puella Magi Madoka Magica it reverberates through me for days. It sticks to me aesthetically, thematically and emotionally and refuses to let go. It’s often noted that Madoka is a “dark” series, and in many ways that’s true. It’s filled with loss and tragedy and a hint of existential dread. It acknowledges and understands the struggle of humanity in a troubled world that can’t begin to value all our sacrifices, contained in a universe where the way we think and feel is utterly miniscule. And yet it’s ultimately a tale of hope.
I watched the original Little Witch Academia short way back when it was all the rage and I got plenty out of it. I thought it was cute and fun and engaging, a sign that Studio Trigger was a force to be reckoned with in the industry. But it’s only rewatching it now that I appreciate its craft. It’s an absolute pleasure of a work that almost anyone can find something to appreciate in, and it’s full of all sorts of little details that make that possible.
In the interest of getting enough sleep for Wrestlemania (which begins in the morning in this tragic timezone) I’ve decided to delay today’s article. Instead I figured I would give an update on Funcurve. In light of personal struggles I stopped being able to contribute to the site and eventually moved to just being a guest writer, but before I stopped contributing as an actual writer I did some more articles on the Summer 2016 Anime season. You can find them after the break. Enjoy!
As you may have noticed, this blog has been pretty dead over the last few months. Meanwhile, my content stream for Funcurve has continued and I’ve just neglected posting any of it here. So in the interest of consistency I’ve decided I’ll just post everything I’ve done since then right here. Links to it all can be found after the break.
So, there were some complications that I couldn’t get to with this Charlotte review until I was back from my three week trip to Japan, but those were sorted out and just a few days ago this was published.
I thought Charlotte was pretty rubbish. Pretty much everything bad I’ve ever heard about Jun Maeda. Lame repetitive slapstick gags, completely ridiculous unearned dramatic peaks and ends up crushed under the weight of plot twists it doesn’t have nearly enough grace to handle. But let’s not dwell on these things. That JoJo: Stardust Crusaders review is done and it’s coming very soon if you want something a little less mean from me.